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The exact tone of the film can be a bit unnerving, in that we're never quite sure if it's being tongue-in-cheek, or unabashedly preachy. The humor is inconsistent, but also undeniable at times. Instead, the film weaved the narrative such that we are painted a portrait of New York socialite life, while also taking the time to give some social commentary (albeit a little on-the-nose). What I appreciated most was how the film incorporated all of the characters, and weaved a story that connected all of them, yet not in an obvious or melodramatic way. The story itself is undeniably intriguing, however. Thus, the film never fully makes the transition from theater to film, many of the situations simply feel more at home in an art house, not a movie. To be sure, capturing the finer points of modern intellectual discourse is tricky, especially in a comedic format (perhaps they should have consulted with Woody Allen), but doing so properly is essential. The acting seems fine, but the lines the characters have to deliver never quite feel true. Six Degrees of Separation manages to give the script a cinematic flavor, changing up the scenes, keeping the story kinetic, but still has a stylistic and affected dialogue which is simply not befitting of a film drama. If done correctly, this can be work, but if done poorly, it can be a disaster. It's very talky, and completely dialogue-driven. That the film is based on a theatrical play is evident throughout. It's a very unique film, though not entirely successful. In that search, Ouisa, in particular, begins to view critically their life and just how much compassion they really have.Six Degrees of Separation is one in a long line of 90s film adaptations of a stage play, centering around a young man, played by Will Smith, who enters the lives of two socialites, both confounding and informing the people he crosses paths with. Their encounter with Paul ends up being an all too familiar story, which they will soon learn, and leads the Kittredges on a search for Paul after he leaves their abode the next morning. Beyond the attraction of talking Paul into getting them roles in the movie, Ouisa, Flan and Geoffrey all end up being captivated by the charm, charisma, pedigree and eloquence of Paul, who the Kittredges, after tending to his wounds, invite to stay the night.
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Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed.
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They relay a story to their friends and acquaintances that over time becomes legendary. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos.
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New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate.